納尼亞2:凱斯賓王子片尾曲Regina Spektor
Artsit:Regina Spektor
Song:The Call
It started out as a feeling
Which then grew into a hope
Which then turned into a quiet thought
Which then turned into a quiet word
And then that word grew louder and louder
'Til it was a battle cry
I'll come back
When you call me
No need to say goodbye
Just because everything's changing
Doesn't mean it's never been this way before
All you can do is try to know who your friends are
As you head off to the war
Pick a star on the dark horizon
And follow the light
You'll come back when it's over
No need to say goodbye
You'll come back when it's over
No need to say goodbye
Now we're back to the beginning
It's just a feeling and no one knows yet
But just because they can't feel it too
Doesn't mean that you have to forget
Let your memories grow stronger and stronger
'Til they're before your eyes
You'll cone back
When they call you
No need to say goodbye
You'll come back
When they call you
No need to say goodbye
?
Regina Spektor的音樂(lè)會(huì)讓你不禁然地聯(lián)想到一個(gè)很有古怪靈秀氣質(zhì)的女孩,事實(shí)上,在她所演繹的大部分音樂(lè)中,富于冷峻而詭異變化的鋼琴是唯一的伴奏樂(lè)器,這讓我們想起了另一位現(xiàn)在已身為人母、可當(dāng)年卻以怪異鋼琴氣質(zhì)而獨(dú)步樂(lè)壇的女唱作人Tori Amos。但是,如果僅僅給Regina Spektor冠以"怪異風(fēng)格唱作人"的頭銜則無(wú)形中大大削減了她音樂(lè)中具有的多元化音樂(lè)色彩。
從爵士到民謠再到說(shuō)唱、嘻哈,甚至是古典音樂(lè)等眾多元素,在Regina Spektor這張新專輯中一起粲然呈現(xiàn),史派克特的多元化音樂(lè)元素融匯的創(chuàng)作手法是源于她個(gè)人多樣化、雜食性的音樂(lè)聆聽(tīng)品味,當(dāng)史派克特把各色的音樂(lè)風(fēng)格片斷以整體彰顯詭異渲染色彩的方式呈現(xiàn)給我們時(shí),我們必須承認(rèn)這并非是一張適合聆聽(tīng)的音樂(lè)作品,但這也并不會(huì)讓我們停下聆聽(tīng)的腳步而失去進(jìn)入一個(gè)神奇世界的難得機(jī)會(huì)。