【專八mini系列】短篇小說(2/7)
來源:滬江聽寫酷
2014-02-24 04:00
?筒子們~本篇文章原文聽寫~~干吧得O(∩_∩)O~
Hints
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present= pres.??????????????????? ?character= char.???????????????????? protagonist= prota.
antagonist= anta.?????? ????????? internal= inten.?????????????????????? spiritual= spirl.
familiar= fami.?????????????????????stereotype= steo.??????????????????? businessman= busiman
archetypal= arty.?????????????????mistaken= mis.??????????????????????? century= C
isolation= iso.?????????????????????? alienation= alie.????????????????????? trauma= trau.
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Most stories are set in present day, but settings of place vary from rural to urban. The reader follows the main character or protagonist in a conflict with another character or antagonist or in an internal conflict with his own antagonistic psychological or spiritual force. Characters range from familiar stereotypes, such as the aggressive businessman or the lonely housewife, to archetypal characters, such as the rebel, the scapegoat, the alter ego, and those engaged in some sort of search. The subject of a short story is often mistaken for its theme. Common subjects for modern short fiction include race, ethnic status, gender, class, and social issues such as poverty, drugs, violence, and divorce. These subjects allow the writer to comment upon the larger theme that is the heart of the fictional work. Some of the major themes of 20th century short stories, as well as longer forms of fiction, are human isolation, alienation, and personal trauma, such as anxiety, love and hate, male or female relationships, family and the conflict of generations, mortality, spiritual struggles, and even the relationship between life and art.
大部分的短篇小說都是以當前為背景,但背景環(huán)境從農(nóng)村到城市各不相同。讀者跟隨主角或主人公與另一個角色或對手起沖突,或與他自己的敵對心理或精神力量相抗衡。小說的角色從熟悉的刻板印象,例如咄咄逼人的商人和寂寞的家庭主婦,到原型人物,比如叛軍,替罪羊,另一個自我,和那些從事某種調(diào)查的人物。小說的主題常常被誤認為是其主旨?,F(xiàn)代短篇小說的一般主題包括種族、民族身份、性別、階級和社會問題,如貧困、毒品、暴力和離婚。這些主題允許作者評論更廣泛的作為虛構作品的核心的主旨。一些20世紀的短篇小說的主旨內(nèi)容,以及長篇小說,是關于人類隔離、精神錯亂和個人心理創(chuàng)傷的,如焦慮、愛和恨,男性或女性的關系,家庭和代溝、死亡、精神斗爭,甚至是生活和藝術之間的關系。
翻譯by sugarle